In October of the same year, the University of Iowa Press released her first nonfiction book, The Six-Minute Memoir: Fifty-Five Short Essays on Life, selected from 20+ years of her Alive and Well column in The Iowa Source.
A native of Milwaukee, Mary Helen now divides her time between Iowa City, where she and her husband John live in a 165-year-old stagecoach inn they restored, and Omaha, where she is Professor Emerita of English and Creative Writing at Creighton University.
Her work has appeared in many publications, including The Iowa Review, EPOCH, The Yale Review, AGNI, and The Antioch Review, and in several anthologies, including New Stories from the South: The Year's Best 2000 & 2006 (Algonquin Books) and A Different Plain (University of Nebraska Press). She has also served as a commentator on Iowa Public Radio, a columnist for The Iowa Source, a contributing editor for The Iowa Review, and a professor of creative writing in the International Summer School at Renmin University in Beijing. She teaches in the M.F.A. program in writing at Pacific University in Oregon.
Her previous novel, The Cailiffs of Baghdad, Georgia (W. W. Norton), received a 2011 Anisfield-Wolf Book Award for books that make "important contributions to our understanding of racism and human diversity." Juror Rita Dove described the novel as "a rollicking tale that manages to speak seriously to the tragedy of ignorance and the damage caused by fear." The Cailiffs of Baghdad, Georgia was also selected by independent booksellers as an Indie-Next "Great Read."
Her first novel, The Turk and My Mother (W. W. Norton), received the 2005 John Gardner Fiction Book Award from Binghamton University and was recognized by the Wisconsin Library Association for Outstanding Literary Achievement. It has been translated into seven languages. Her collection of short fiction, Self Storage and Other Stories (New Rivers Press), received the Wisconsin Library Association's 1998 Banta Award for Literary Excellence, and her novella, "The Turk and My Mother" (EPOCH, Fall 2000) was shortlisted for the O. Henry Prize.